Panasonic SC-BTT770 5.1 Channel 3D Blu-Ray Cinema Surround Home Entertainment System
| Price : Too low to displayTaking the hassle out of home theater, Onkyo presents the HT-S3400 package: a full-featured A/V receiver coupled with a quality six-piece speaker set. To handle the latest Blu-ray, gaming, and cable/satellite devices, the receiver sports four new HDMI inputs. HDMI opens the way to lossless, high-definition audio from Dolby and DTS, as well as immersive new 3D video content. It also supports a convenient Audio Return Channel from a compatible HDTV back to the receiver.
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This product is 3D-related. To help you get a great 3D experience, use the checklist below to ensure you have everything you need. 3D viewing requires:
 | A Display First, you'll need a 3D-ready display--whether it's a 3D HDTV, 3D projector, or 3D computer monitor. These displays have more processing power than standard 2D models for displaying 3D images in rapid succession. |
 | A Source Your display may be ready for 3D playback, but you'll still need a device to read 3D content. This can be a cable box with a subscription to a 3D channel, a 3D Blu-ray Disc player, or a PlayStation 3 system. |
 | 3D Content 3D content--the actual entertainment, in other words--will be played back using the source mentioned above, whether it's a 3D broadcast from your cable provider, a 3D Blu-ray Disc, or a 3D video game. |
 | 3D Glasses For now, the vast majority of 3D HDTVs require glasses for 3D viewing. Many use powered "active shutter" glasses, others polarized "passive" glasses. You'll need one pair per viewer, and they'll have to be compatible with your display, whether they're the same brand, or a pair of "universal" glasses designed to work across brands. |
 | HDMI Cable To connect your source (such as a 3D Blu-ray Disc player) to your display, you'll need a high-speed HDMI cable. Cables with this designation feature bandwidth speeds up to 10.2 Gbps (gigabits per second), for carrying the 3D signal without any loss of quality. |
If you want to get more information about 3D, shop our 3D products, watch videos, or interact with other customers, we invite you to visit 3D 101, our customer center about everything 3D. | |
(March 2011)
Step into the 3D World. Watch 3D movies at home with Full HD 3D technology with the SC-BTT370.
Advanced 2D image technology accumulated over the years at the Panasonic Hollywood Laboratory (PHL) has also been applied to 3D image playback, allowing high quality images to approach original film quality. Lifelike 3D images with dramatic leaping effects and enhanced depth, luster and texture are beautifully reproduced.
The 3D Effect Controller lets you moderate the leaping effects of 3D images. It also lets you adjust the amount of depth, so you can view expansive images and enjoy movies with exactly the kind of 3D effects you want.
The 2D-3D Conversion makes it possible to convert images from DVDs and Blu-ray Discs into 3D with natural depth perception. So you can watch your prized DVD movie collection in 3D with real-life depth, for even greater viewing enjoyment.
Panasonic has worked with Hollywood film studios at a laboratory that we have maintained in Hollywood over a long period of time to research image reproduction technologies. These activities have enabled us to accumulate the know-how necessary to faithfully reproduce original movie images on Blu-ray Discs. Now, we have applied these advanced 2D technologies directly to 3D movie reproduction, to achieve truly beautiful images with even more lifelike realism, depth and texture.
You can instantly access the Skype menu screen by simply pressing the Skype button on the remote control. This is very handy because it lets you easily access the menu screen even while you're watching a TV program or movie.
While watching a TV program or movie, a ringtone from the player tells you that you have a call. The ringtone also rings during standby mode.
*The incoming call can not be received during Blu-ray Disc playback
Record an original message onto an SD Memory Card* and set it as your answering voice message. The message will respond automatically when you receive a phone call while you're away.
*Minimum 512MB SD card required*SD card not included
Callers can also record messages for you onto the SD Memory Card, so you can confirm the messages when you return home.
The Virtual Speakers created by Cinema Surround compensate for the lack of a surround effect to provide natural, smooth surround sound. Starting with the 2011 models, the same number of Virtual Speakers are arranged in the vertical direction as in the horizontal direction. This offers an enhanced surround effect not only horizontally but also vertically, so you can enjoy your favorite movies with a level of dynamic surround sound that you've never before experienced.
*Rear speakers have wireless capability with the SH-FX71.
The Clear Sound Digital Amplifier analyzes the difference between the input and output audio signals, and makes the necessary adjustments to produce an output signal with the same low distortion as the input signal. This results in sound that is highly faithful to the original sound source.
A Wi-Fi system is built right into the main unit, so you can enjoy VIERA CAST and BD-Live content without having to connect the Blu-ray Disc player with a LAN cable or wireless LAN adaptor.
*A wireless LAN environment is required.
The home theater system is compatible with the ARC (Audio Return Channel) feature. ARC makes it possible to receive audio signals from the TV, on top of the preexisting HDMI function of sending audio/video signals to the TV with just one cable. This feature simplifies connection by eliminating the audio cable connection between the TV audio output and the main unit's audio input.
* ARC compatible TV is required.
VIERA CAST has been further enhanced with CinemaNow and VUDU, which allow you to stream movies. You can also access other content from the special VIERA CAST screen. And you can check weather and stock information on other sites.
| Supported Formats | |
|---|---|
| BD-ROM: | FULL HD 3D BD, BD-Video |
| DVD Playback: | DVD-Video |
| DVD-R/DVD-R DL/DVD-RW : | DVD-Video, DVD Video Recording,AVCHD, MP3/JPEG/MPO (DVD-R/ DVD-R DL ) |
| +R/+R(DL)/+RW 1 Playback: | Video, AVCHD |
| CD, CD-R/-RW 2 Playback: | CD-DA, MP3, JPEG/MPO |
| DVD-R/-RW/-R(DL) Playback: | DVD Video, DVD-VR, AVCHD, JPEG/ MP3/MPO (DVD-R/ DVD-R DL ), MKV (DVD-R/ DVD-R DL ) |
| +R/+R(DL)/+RW Playback: | Video, AVCHD |
| VIERA CAST: | Yes |
| SD Memory Card: | JPEG / MPO / MPEG2 / AVCHD |
| Universal Dock for iPod/iPhone : | Yes (Integrated) |
| Input/Output | |
| Total Output: | 1000W, Front: 160W x 2, Center: 160W, Surround: 160W x 2, Subwoofer: 200W |
| HDMI (Output): | 1 |
| USB Port): | No |
| Video Out: | Yes |
| SD Memory Card Slot: | Yes |
| Ethernet: | Yes (for BD-Live, VIERA CAST and Firmware Update) |
| Speakers | |
| Front Speaker: | Woofer: 2-1/2" Cone Type, Tweeter: 1" Semi-dome Type 15-29/32" x 5-5/16" x 5-5/16"" |
| Center Speaker: | Full Range: 2-1/2 Cone Type 3-3/16" x 5-23/32" x 2-15/16" |
| Surround Speaker: | Full Range: 2-1/2 Cone Type 4-19/32" x 3-5/32" x 2-15/16"" |
| Subwoofer: | 1 way 1 speaker (Down Firing) 16-1/16" x 7-3/32" x 11-13/16"" |
Main unit - SA-BTT370, Front speakers - SB-HF370, Center speaker - SB-HC370, Surround speakers - SB-HS270, Subwoofer - SB-HW370, remote control with batteries, AC power supply cord, FM indoor antenna, user's manual, sheet of speaker cable sticker
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With the Panasonic SC-BTT370 1000W 5.1 Channel 3D Blu-ray Home Theater System you can watch 3D movies at home with Full HD 3D technology which allows high quality images to approach original film quality. With VIERA Cast you can enjoy a world of web entertainment plus free Skype video calls. This system includes 2-way table top speakers that deliver a bigger, bolder presence in the convenience of a desktop speaker. With the convenient built-in WiFi you can enjoy streaming video, music and slideshows. Plus two HDMI inputs make seamless switching easy between games and movies.
The Panasonic SC-XH150 Home Theater Sound System with 1080p DVD Upconversion features a Clear Sound Digital Amplifier that analyzes the difference between the input and output audio signals and makes the necessary adjustments to produce an output signal with the same low distortion as the input signal. This results in sound that is highly faithful to the original sound source. The home theater system is compatible with the ARC (Audio Return Channel) feature. ARC makes it possible to receive audio signals from the TV, on top of the preexisting HDMI function of sending audio/video signals to the TV with just one cable. This feature simplifies connection by eliminating the audio cable connection between the TV audio output and the main unit's audio input.
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5.1 home cinema system is a term that most people will have heard of at some time or another if they are at all interested in home cinema systems. For those of you that don't know I will give a quick overview below of what it actually means but then I want to drill down into whether a 5.1 home cinema system is what you should be going for or if there are other options.
5.1 Home Cinema System Explained
Whenever we talk about home cinema we quite often refer to the number of Speakers in a system using the number definition above, in this Case 5.1 home cinema system. When used in this regard the first number always refers to the number of standard Speakers you have in your system and the second number refers to the number of subwoofers you have. A subwoofer is just a very low frequency Speaker really but they tend to have a category all of their own.
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So in our Case the 5.1 means that the system has 5 standard Speakers which will most likely be a front left, center and right and a rear right and left. You will then have 1 subwoofer somewhere in the system setup.
Is 5.1 The Magic Number?
Most people are used to hearing about a 5.1 home cinema system because this was the most common setup many years ago. However, with the advent of new technology 5.1 is no longer the standard setup for higher end systems. It is just about staying the default for lower end systems but even this will not stay that way for long.
When we are talking higher end systems we are usually talking larger rooms and dedicated home cinema systems. This means that there is more space to fill and so we start to look at 7.1 or 9.1 systems which simply add additional speakers at the sides and rear of the room to get a better sound distribution. You will have noticed this at a standard mainstream cinema if you have ever looked around the room and seen the large numbers of surround speakers they usually have. It's not uncommon to see 12-20 rear speakers in this type of cinema and this is largely due to having a massive space to fill and making sure that everyone in each and every seat gets the best listening experience that they can.
1 or 2 Subwoofers?
When it comes to subwoofers you will again usually find that most higher end systems have 2 or more subs rather than 1. This is once again mainly due to sound distribution and to make sure that the space you have for your home cinema system is adequately filled.
The other factor in using multiple subs is that although you will probably have heard that subs are non-directional, meaning that you just hear the low frequency but you couldn't point to where the sub was physically located if you couldn't see it. However, this is not precisely true and when it comes to the higher end you don't want to be distracted by hearing the low frequency bass coming from a certain part of the room, it's much nicer and smoother to have the sound evenly distributed which can be created from using multiple subwoofers.
So, What's The Best Setup?
This will mainly come down to your room design and size but I would suggest that a 5.1 home cinema system is a good place to start and then if you feel that you need additional speakers to make it sound better then you can add them on.
Because home cinema is such a specialist subject you will usually get 10 different answers if you asked 10 different people their opinion but at the end of the day you just want you own home cinema system to sound the way you like it and so it really is a lot down to personal preference.
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So you've finally made the decision to create your own dedicated home cinema system. You've convinced your partner that it's ok to spend that kind of money and have agreed that they too can go and buy whatever they have always wanted. Everything is looking good and the green light is on but then you start to think about all the different design elements that make up a cinema and you start to get overwhelmed with the correct order and the amount of budget you should allocate for each section. You check online and just seem to find so many different conflicting views and now you're not even sure if you should even get started because your mind is so scrambled that you're not sure where to begin.
Well, if the above story sounds familiar to you then this article will put you at ease. Maybe you have just decided to build your own home cinema system or perhaps you thought about it before but just weren't sure where to begin and so decided to leave it. If any of this rings true with you then I am pleased to say that I can give you my personal experience to allow you to make the best home cinema system you can based on your budget.
So here are my 10 steps to creating the home cinema of your dreams.
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Each of these steps should be performed in this order to get the best out of the available budget and room space you have.
Internal and External Shell and Structure
1. Start with the end in mind
Like any construction project you need to have a good vision of what the end is going to look like before you even start. This means you should at the very minimum have some hand drawn sketches of the style, size and shape you are going for. Now this will naturally be dictated by the available space you have to work with but there is definitely some room here for artistic flare here so really tap into your mind and pull out what your dream home cinema system will eventually look like. Remember, this is probably something you are only going to do once so make sure it lives up to all your expectations and dreams.
Remember that what you see is always what you get so the clearer your vision is, the better the end product will be. Do not rush through or overlook this step, it is probably the most important part of the whole process.
2. Room size and shape
Now that you have your ideas in mind and a clear picture of what you want to achieve you can start to get down to some real design. Now I strongly suggest you use some kind of 3D software here to make sure you get really accurate measurements and implementation of your design ideas. You could also just use a 2D CAD (Computer Aided Design) package but it's usually much nicer and easier to keep your vision in mind if you can work in 3D.
Now this may scare a lot of you off but with the technology available today you can find some very inexpensive design packages that are really user friendly so even if you have had no Computer design experience before you will be able to pick it up fairly quickly.
Full room acoustic design is a very in depth subject and beyond the scope of this article but I recommend you do your due diligence on this area and get a basic knowledge of how audio is transmitted before progressing. A good room design at this stage will save you lots of money further down the line when it comes to equipment choices.
In essence you want to avoid any hard surfaces that will reflect sound and go for surfaces that absorb as much as possible. I'm sure you've all been inside a church and noticed how bad the acoustics are and how much it echoes. Well, these are things that you really want to avoid in your home cinema system as they will dramatically affect the quality of your sound reproduction.
3. Sound absorption-external
External sound absorption refers to the sound that will leak out of your cinema during its use. This basically translates to making sure you don't wake up the neighbours when you have your home cinema system cranked up to volume 10. Even if you don't have neighbours you will still want to make sure the system can be used late at night when others may be trying to sleep.
You can start off very basic with some fibre glass insulation around the entire outside structure of the room or placed between a cavity wall. This is very inexpensive and works really well. If you want to get really clever you can build a room within a room by putting up a partition shell and fixing it to the outside structure with rubber washers. This will isolate the sound very well and keep most of it internal.
4. Sound absorption-internal
Internal sound absorption deals with the sounds that bounce around inside your cinema. These sounds will originate mainly from the Speakers and will be reflected by the different materials in the room. Essentially you want to design your room so that you have internal absorbers to remove most of the reflections so that you only have direct sound coming to you from the Speakers. In some Cases such as the surround speakers you will want to have multiple reflections but the full scope of this design is too much for this article. Do your due diligence here and it will pay off in reduced costs later on.
Equipment Choice and Levels
5. Sound levels-speaker and amplifier choice
Most people will be surprised to see that speaker choice has only appeared at number five and not sooner but if you have really read and understood the previous four items and done your due diligence on them then it will be no surprise at all. The majority of bad quality home cinema systems are due to poor room design and not the speakers or other equipment. If you get the room design right then you are 80% there already.
There are many different speaker brands on the market and you will need to get active and out to your local dealers who can demonstrate different packages side by side. Most of this decision will come down to your budget and personal preference. Don't think however that you have to spend a huge amount of money here. Providing you got the room design right then you will get a great sound out of most systems.
6. Visual requirements-Projector and screen size
The screen size will mainly be determined by your available room width. You will need to make sure that the main seating area is approximately 2.5x the width of the screen back to give the best visual performance. This means that if your screen is 1 meter wide then your main seating area should be about 2.5 meters back. The screen height should be positioned so that the bottom of the screen is approximately 850mm from floor level. This will prevent head fatigue and give the best performance.
The choice of Projector again will be dictated by your budget and you should go and see your local dealer once more to see different models side by side to find one you are happy with.
7. Kinesthetic requirements-seating and movement
The choice of seating should deal with comfort first and look second. Remember, you are going to be sitting down here for a long while over the course of a year so make sure you pick seating which is designed for this kind of use.
If your budget allows you can now get moving seats which have hydraulics that shake them around in time with the movie. This can be an incredible experience but also a very expensive one.
8. Sources and cabling
In general your choice of sources should be high definition and the best that your budget will allow. A Blu-ray player and high definition broadcast or satellite receive should be a minimum requirement but it's also nice to add Games consoles and other such devices to get the best out of your home cinema system.
Cabling should be of a good quality but not over the top. We personally work at around 10% of the cost of the equipment should be spend on cabling.
Aesthetics
9. Interior design
This is very much a personal preference and so I will leave this area entirely up to you. We have designed many home cinema systems, some which have movie posters all over the walls and authentic cinema carpet and others which have an Art Deco style and genuine arts from the period; it's totally up to you. Just make sure you don't compromise the acoustic design in the process.
10. Light levels
Naturally the cinema should be as dark as possible during usage so you will want to make sure that there is no natural light coming in by either having no windows at all or having black out blinds that can be placed in front of them when in use. Low level lighting is always recommended for health and safety reasons and also a little bit of artistic flare using colour can really enhance the whole experience.
Afterthoughts
There are several other considerations that you may want to look at when designing your home cinema system such as HVAC, remote controls and automation but this will depend on your budget and personal preference so I shall again leave this up to you.
Remember that this is just a general overview of the design and each area should have its own due diligence performed before undertaking any home cinema system design such as this.
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"The Geopolitical Aesthetic is a dazzling... distillation and application of the theoretical system he first presented in The Political Unconscious (1981)." -- The San Francisco Bay Guardian
Taking contemporary films from the United States, Russia, Taiwan, France, and the Philippines, The Geopolitical Aesthetic offers a reading of some of the most interesting films of the last decade and a general account of filmic representation in the postmodern world. Fredric Jameson poses some essential questions: How does representation function in contemporary film? How does contemporary cinema represent an ever more complex and international social reality? Jameson's sophisticated and theoretically informed readings stress the ways in which disparate films -- for example, Godard's Passion, Pakula's All the President's Men, Yang's The Terrorizer, Tahimik's The Perfumed Nightmare, Tarkovsky's Andrei Roublev -- confront similar problems of representation. The solutions vary widely but the drive remains the same -- the desire to find adequate allegories for our social existence.
The Geopolitical Aesthetic, a refinement and development of the arguments put forward in Jameson's seminal work The Political Unconscious, is crucial reading for everyone interested in both film analysis and cultural studies.
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